The Clean: A Lo-Fi Revolution from Down Under
The Clean, a band that emerged from the shores of New Zealand in the late 70s, is a testament to the power of DIY aesthetics and the enduring influence of psychedelic rock. Their story is one of indie pioneers who carved a unique path, inspiring a generation of musicians and leaving an indelicious mark on the global indie scene.
The Birth of a Sound
What's fascinating about The Clean is how they distilled the essence of west coast psychedelia, Velvet Underground, and post-punk into a fresh, lo-fi sound. This fusion, combined with their DIY approach, set the stage for a revolution in New Zealand's music scene. Their influence on acts like Pavement, Yo La Tengo, and Guided By Voices is undeniable, proving that groundbreaking music can emerge from the most unexpected places.
Boodle Boodle Boodle: A Groundbreaking EP
The EP 'Boodle Boodle Boodle' is where The Clean's magic truly crystallized. 'Point That Thing Somewhere Else' is a scorcher, born from a jam session and capturing the raw energy of the band. The fact that it reached No. 5 in the New Zealand charts without commercial airplay is a testament to its power. This EP was a catalyst, not just for Flying Nun Records but for the entire independent music scene in New Zealand and beyond.
The Art of the EP
The Clean's EPs are like snapshots of their creative evolution. 'Slug Song' from the 1982 EP 'Great Sounds Great, Good Sounds Good, So-so Sounds So-so, Bad Sounds Bad, Rotten Sounds Rotten' (a mouthful, I know!) showcases their ability to craft hypnotic songs with a twist of humor. The lyrics, 'don't ever bend to the hip, the grip of the insipid,' are a subtle nod to their indie ethos.
Studio Adventures and Literary Leanings
When The Clean entered the studio, they continued to push boundaries. 'Franz Kafka at the Zoo' from the 1996 album 'Unknown Country' is a literary gem, with lyrics that could be straight out of a surrealist novel. The song's atmospheric sound and layered vocals create a unique, almost dreamlike experience.
Exploring New Sonic Territories
'Secret Place' from the 1994 album 'Modern Rock' marks a turning point, introducing new instruments like the hammered dulcimer and cello, adding a rich, pastoral texture to their sound. This willingness to experiment is a hallmark of The Clean's creativity.
The Professional Sheen
'Diamond Shine' from their first studio album, 'Vehicle,' is a standout. Recorded with renowned producer Alan Moulder, it showcases the band's ability to retain their DIY spirit while achieving a professional polish. The song's buoyant energy and loose guitar work are quintessential Clean.
Live Energy and Creative Collaborations
The Clean's live performances were electric, as captured in the recording of 'Quickstep' at Christchurch's Gladstone Tavern. This energy is what makes their music so infectious. The song 'Getting Older' also showcases their creative video collaborations, blending slapstick humor with a powerful musical performance.
Absurdism and Garage Rock Nostalgia
'Beatnik' is a fun detour into absurdism and garage rock nostalgia. The video, with its 60s-inspired costumes and west coast vibes, is a playful tribute to an era. This ability to blend genres and moods is a signature of The Clean's versatility.
A Song's Journey: From The Clean to Bailter Space
The story of 'I'm in Love With These Times' is particularly intriguing. Written by Hamish Kilgour during The Clean's early days, it found new life with Bailter Space, a band he formed in 1987. This song's journey highlights the interconnectedness of the indie music scene and the enduring power of a great song.
The Power of a Chorus
'Anything Could Happen' is more than just a song; it's a mantra for a generation. With its laid-back sound and uplifting chorus, it became an anthem for a country coming into its own. The fact that it inspired a memoir title by New Zealand's former deputy prime minister speaks volumes about its cultural impact.
Conclusion: The Clean's Lasting Legacy
The Clean's impact on indie music is immeasurable. They proved that a band from the furthest corners of the globe could shape the sound of an era. Their lo-fi aesthetic, combined with a fearless approach to genre-bending, has left an indelible mark on the indie canon. In a world often dominated by commercial airplay, The Clean reminds us that true musical innovation can come from the most unexpected places and that the DIY spirit is a force to be reckoned with.
